The Joffrey Ballet Dazzles

The Joffrey Ballet wowed the crowd at Cal Performances in March, opening with Commedia, choreographed by Christopher Wheeldon, and closing with The Times Are Racing, by Justin Peck. It was a gift of a repertoire. Only one dance was slightly disappointing: Bliss by Stephanie Martinez. The costumes were out of sync; the men topless in plain tan pants, the women in short blue or pink tutus with bling: The Royals meet the working class.  

Beyond the Shore, choreographed by Nicolas Blanc with music by Mason Bates, was exquisite. It was a haunting, expressive piece that opened with audio of a NASA space flight and morphed into a hip, modern sound track.

But the crowd’s overwhelming pick was Peck’s piece: a colorful, buoyant mix of dance genres. The Chicago-based troupe danced in sneakers, and danced with abandon. Watch a clip here:

‘Dark Waters’ exposes hidden chemical hazards, but do others lurk?

 This article first appeared in the San Francisco Chronicle on Feb.6, 2020

I woke late to the hazards of Teflon after watching “Dark Waters.” The film recounts DuPont’s dumping of Teflon waste into the waters and farmlands of West Virginia. Thousands of people working at the DuPont plant or living nearby developed ailments, such as kidney cancer, colitis, thyroid disease and more. Farm animals died hideous deaths. It was an egregious case of corporate wrongdoing.

One synthetic chemical in Teflon’s toxic brew was PFOA (a long-chain perfluorooctanoic acid). It took a courageous farmer and a dedicated lawyer to reveal its dangers by waging a 20-year legal battle against DuPont.

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